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Friday 24 February 2012

Review: Leonard Cohen - 'Old Ideas'

‘Old Ideas’ sees 77 year old Canadian singer and poet Leonard Cohen return for his twelfth studio album and his first since 2004’s ‘Dear Heather’.

The albums opener ‘Going Home’ begins with an almost childlike rhythm, however, the instant Cohen’s distinctive voice whispers in, the feeling is more like a child’s funeral. Sorrowful, mourning and soothing, this spoken word track appears autobiographical, with Cohen stating ‘I love to speak with Leonard, he’s a sportsman and a shepherd, He’s a lazy bastard, living in a suit’. Next track ‘Amen’ descends through as an eight minute psychedelic, pitch black prayer, in which Cohen manages to exude remorse, passion and finality without ever breaking into a sweat. The female backing that has accompanied much of Cohen’s later work, in addition to the Godfather esque trumpet solo seem to raise Cohen’s voice into an almost statesmen like form, hinting at his womanizing past. Far from attempting to shy-away from his advancing years, Cohen embraces them, his voice croaks, breaks and fades with all the signs of a life well lived, each line uttered as if it could be his last.

Album highlight ‘Show Me the Place’ certainly sounds like a swansong, with its melodic piano and violin combination giving a climatic and cinematic feel. ‘Darkness’ has a driving jazzy backdrop, sounding smoky and sexy, whilst ‘Anyhow’ emanates backstreet poetry during its cries for forgiveness. ‘Come Healing’ bursts with light and is a timeless love-song, typically tinged with Cohen’s now trademark gospel sound and lyrical style.

 The introduction of slide and blues guitars is a welcome introduction to ‘Banjo’, the most off the cuff track on the LP (‘There’s something that I’m watching, means a lot to me, It’s a broken banjo bopping, on the dark infested sea’), whilst album closer ‘Different Sides’ feels an appropriate ending and returning loop to the beginning of the record, Cohen ending with ‘You want to change the way to make love, I wanna leave it alone’. This is a relevant final ending to ‘Old Ideas’ highlighting Cohen’s own message both through the album’s title and many of its themes.  These are ‘Old Ideas’ and the theme and style of the LP is nothing new for Cohen, but this is something to be embraced and celebrated, whilst we still can.
          
8/10

Review: The Menzingers - On the Impossible Past

The Menzingers open their account with Epitaph Records with the anthemic, hard-hitting and God damn brilliant On the Impossible Past.
Opening track ‘Good Things’ is a short, sharp introduction, bursting to life and setting an almost impossibly high tempo with the lyrics ‘I’ve been having a horrible time, pulling myself together’ rising and crashing through this avalanche of a record.
There’s no let up on next song ‘Burn After Writing’ which announces the first instantly memorable riff of the LP, as well as the first narratively brilliant and complex lyrics that ring like a classic novel being torn apart and thrown into the wind.

The next two tracks are the songs released by the Pennsylvanian four-piece prior to the LP’s release, ‘The Obituaries’ and ‘Gates’. It’s with these two tracks that the albums storyline and landscape really come into life. The Obituaries introduces the American backdrop that plays setting to many of the themes, but possess a monster of a sing-along chorus ‘I will fuck this up, I fucking know it’, that is so simple and so true in explaining the everyday anxieties and reservations we feel. It hits the nail right on the fucking head, without sugar-coating the splinters that come flying off. Meanwhile the strength of ‘Gates’ lies in its good old fashioned American storytelling ‘It’s not hard to fall for a waitress, when you both smoke, smoke the same cigarettes’ coupled with staggered power chords that build into yet another massive chorus, making you recollect anytime you’ve humiliated yourself for love, and yet making you determined to do it all over again in order to remember that ‘happiness is just a moment’.

The beginning of ‘Ava House’ shows that The Menzingers have lost none of the innovative song patterns and structures that littered previous album ‘Chamberlain Waits’. ‘I’m pretty sure this corner of the world is the loneliest corner of the world’ evokes the lyrical styling’s of The Hold Steady but the gruff crescendo of screams that finish this particular verse show that The Menzingers combine this lyrical intricacy with a heavy punk-rock attitude. Lower key ‘Sculptors and Vandals’ feels perfectly placed on the track listing, whilst ‘Mexican Guitars’ brings sunny Route 66 road-trips flooding through this late winter record and will undoubtedly sound just as great come July. ‘On the Impossible Past’ serves as an excellent bridge between the first and second halves of the record before ‘Nice Things’ revamps the pulse, screaming ‘Do ya wanna feel safe’, acting as an almost rhetorical question to remind you all that’s great about punk-rock. ‘Casey’ sounds like another ready-made single which seems a continuation of the plot that began with ‘Gates’, and is a fantastic example of the story-telling that makes this record such an enthralling listen.

Such is the energy and pacing of ‘On the Impossible Past’ that even at 13 tracks, listening to it seems to make time fly-by, whilst there is not a single note or line of filler whatsoever.  Come final track ‘Freedom Bridge’ the plot is wonderfully concluded and summarized, giving you the feeling of finishing a classic American novel, before immediately wanting to flip over and start all over again. They didn’t fuck this up, I fucking know it. Awesome.           


9/10

Thursday 9 February 2012

February and March 2012 - What to look out for

February


The Menzingers – On the Impossible Past
The third studio album from American punk band The Menzingers is released later this month through Epitaph on February 20th. Two singles have been made available by the band so far, the anthemic  The Obituaries and the addictive Gates. Both singles are sharp, catchy punk songs that suggest that The Menzingers have honed their creative, but often chaotic style into a more simple and yet no less exciting format. Lyrically these tracks are as image laden as before, but the ease with which the band now unleashes massive sing-along choruses suggests that On The Impossible Past will be a very electrifying and powerful record.
Though a UK tour is most likely to occur in a support slot only, the band has announced a one-off headline show at the Fighting Cocks in Kingston.

Stay tuned for a full Rain Dog review when the album is released...
http://www.youtube.com/watch?v=P1aWag0Nl9E


March

Sharks

2012 looks set to be the year of the Sharks. With debut single Arcane Effigies currently receiving frequent play on Radio 1, the band are currently on tour with Social D and Frank Turner in the States. A full headlining tour begins on March 25th in support of their first major LP with Rise Records No Gods, set for UK release a week before the tour. Make sure you catch the Lemington Spa four piece whilst you can, with their brand of DIY Punk drawing not over exaggerated comparisons to The Clash, and big names such as Mike Ness, Chuck Ragan and Brian Fallon amongst an ever increasing fan base.